September 1st, 2010
There’s been a bit of a scramble among brands seeking to leverage AMC’s popular series, Mad Men. BMW is one of the largest and most frequent sponsors, prompting an auto site to gush, “BMW’s underwriting for Mad Men is mad marvelous.”
Maybe so. After all, the series is about an advertising agency and the supposed glamour of the post-War period, all glowy and wistful. It’s an unusual opportunity to create a fresh and fun message… IF it makes sense for the brand.
BMW did two things right. First it aligned itself with the overall je ne sais quoi of the show: the ambience, the characters, their lifestyles, their appearance, their tastes, the physical environment. That provides a very broad base upon which to construct an association. BMW is already an upscale, luxury brand, so this association is more of a positive reinforcement than a flat-out creation.
Second, this attachment is even further strengthened because BMW’s ads run during the episodes themselves. As the show transitions almost seamlessly from content, to commercial, and back again, the company and its cars place themselves directly alongside the target of their (and your) dreams. The viewer sees both in the same sitting; the brain experiences both in the same moment. The connection is made in real time.
London Fog‘s new Mad Men-related ads, on the other hand, miss on both these counts.
Unlike BMW, London Fog’s owner, Iconix, chose to bet all its chips on one single character, Joan Holloway (aka Christina Hendricks). This demands a plausible or at least believable connection between what the product and the individual represent, which is not present here.
Today, London Fog is generally utilitarian, functional, male (androgynous?), classic (tired?) and generally unremarkable, while Hendrick’s Joan is nearly the polar opposite: voluptuous, sexy, powerful, womanly, stimulating. She’s brightly-colored cotton candy in a dress. When you watch the show, her sexual presence makes her nearly every man’s fantasy at one point or another. She’s unattainable, like a rare luxury item.
London Fog is the opposite. By its own admission, the brand has far-flung distribution and high consumer awareness: it holds little mystery, no magic, no unattainability. Mad Men‘s Joan would not wear a London Fog, and no woman (consciously or unconsciously) believes that she will be “more Joan” by wearing the brand. The effect is double-whammy, given that the clothes (which might look fine on “normal” people) appear boring, dull and awkward draped on Hendrick’s frame. The two zeitgeists are just too far apart.
Iconix may have thought that Joan’s essence would rub off on the product. And, prior to Hendricks, Iconix enlisted Eva Longoria and Giselle Bunchen for its ads, presumably with the same objective. The problem is that consumers cannot make brand connections that aren’t there or – worse – pulling in opposite directions.
Forcing an otherwise adequate brand into an environment that makes it appear inadequate is sad and unnecessary: an embarrassing kind of brand dissonance that can do the brand more harm than good.
Lastly, the Joan ads do not have the benefit of being absorbed in the same moment as the story itself. The connection failure is particularly dramatic when experienced in the middle of a fashion magazine, surrounded by circa 2010 fashions, photos and messaging.
Managing a brand – particularly one trying to meld a perhaps very different past with the present – is a fine art. The brand steward must have an unblinking grasp on what the brand is and is not, what it might become, how fast such a change in direction might be made and how to begin. If that direction is wrong, or the speed too fast, the desired messaging won’t find its target and you may needlessely displace the neutral-to-positive feelings most people have about the brand in favor of all the characteristics the brand does not possess. It’s work grounded in an almost DNA-level of understanding of brands, consumer desire and human behavior.
Most brands have positive if not wonderful attributes to emphasize. Show yours in its best light. Avoid whatever might be hot right this second if it just doesn’t fit, and create an environment in which the product can truly shine.
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